Július Koller
Born in Piestany, Slovakia, 1939
Died in Bratislava, Slovakia, 2007
Július Koller was interested in gestures of universalism from a position of both voluntary and forced marginality. He systematically explored the relationship between art and alienation, or the idea of art as alienation. His work developed in critical distance to the communist authorities and their official art, and it also questioned traditions in modernism and the conventions of the Western art business. Since the mid-1960s he designed Antihappenings and Antipictures, creating a playfully ironic oeuvre that combined a Dadaist spirit with radical-skeptical stance.