Exhibition view, Belvedere Vienna, 2021
Photo: Johannes Stoll / Belvedere, Vienna
Born 1964 in Vienna (AT)
Live and work in Eichgraben (AT)
The work of Christine and Irene Hohenbüchler engages with different sociotopes, exploring their microcosms in order to develop what are often participatory forms of art projects with the relevant protagonists. What the artists themselves titled multiple authorship relates to the twin sisters' joint work, which in this case not only comprises a twofold but, in a psychoanalytical sense, brings components of multiple personalities into play, supplementing these further with the participation of other individuals. This differentiated, situation-specific working method frequently allows the Hohenbüchler sisters' works to emerge in new forms, whereby there is no superficial preference regarding the levels of expression of particular media. The focus on different forms of materiality and textures is always being re-explored. This is also due to the fact that the twin sisters, who have been exhibiting together since 1988, themselves come from different disciplines: Irene from painting and Christine from sculpture. For both of them, the artistic act per se should be in the foreground of a discussion where the resulting product is merely the outcome of a long process of discussion and reflection.
“The thesis of this article is that the Hohenbüchler sisters' artistic procedures are distinguished by the fact that they define their authorship as multiple. This is not only because both sisters contribute to many of their works or because they often work with non-artistic people, whose artistic work is integrated into their own, but also because, on the textual level, they bring together literary, philosophical, historical and scientific texts as well. But they also do that on the image level, as the last work discussed here demonstrates. Their preoccupation with the world puts everyday life experience, art, nature and philosophy on one level, thus making it renegotiable. By ignoring the appropriate code, Christine and Irene Hohenbüchler are in a position to open up completely new worlds of thought and imagery with their work.” (Hildegund Amanshauser)
Christine & Irene Hohenbüchler, c/o: Rudolf Hilscher, Martin Hadelich, Akrobaten 1972 Dresden, 2022
Pencil, coloured pencil on paper, 100 × 70 cm
Christine & Irene Hohenbüchler, … jetzt …, 2024
Pencil, coloured pencil on paper, 100 × 75 cm
Christine & Irene Hohenbüchler, Gitterstruktur I, 2006
Steel tube, powdercoated, crochet wool, height: 221 cm, ø 138 cm
Christine & Irene Hohenbüchler, Zöbing, 2004
Colour photographs, edition of 5, 2 parts, each 92 × 62 cm
Irene Hohenbüchler, 1815, 2001
Oil on canvas on fabric, ø 140 cm
Christine & Irene Hohenbüchler, Roter Schrank, 1995
Wood, glass, textile object, paint, 188 × 66 × 66 cm
Christine & Irene Hohenbüchler, Herbar 2 , Galerie Paul Andriesse, Amsterdam, 1991
Plywood, acrylic on canvas, 3 glass display cases with small sculptures, dimension vary with the installation
Christine & Irene Hohenbüchler, DAAD Tisch, 1995
Wood, varnish, 86 × 309 × 148 cm